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Yet, he goes on to say something that I don't agree with. He writes that the distinctiveness of literature is not due to its language, but rather to its poetic "Verfastheit," from which emerges a store of forms, themes, subjects, motifs, and the like, which all literatures share. But what would be "national" about a particular literary work simply by participating in "sprachübergreifende Beziehungen"? And what does that mean, anyway?