The "Goethe Room" at Schloss Kochberg |
On July 4, Goethe went to Dornburg with the Duke and Duchess Luise and Karl Theodor von Dalberg, where they sketched and, not having made overnight reservations, they ended up sleeping on straw palliates in unfurnished rooms of one of the small castles. Goethes diary entry: Nachts auf der Streue mit d. Herzog, Prinzen, Dalberg u 2 Einsiedels. The next morning they set off fireworks (Canonen gelöst), then returning to Weimar and arriving at midday. Goethe turned around and went to Kochberg (um 5 nach Kochberg geritten). He was back in Weimar on the 7th (In dunckler Unruhe früh). On the 8th he was in Tiefurt, joining the Duke and Prince Constantin where, as Boyle writes, they stayed up “half the night” and spent the following morning as well “talking, drinking, drawing silhouettes, and reading from his manuscript of Wilhelm Meister.” On the 11th he actually walked to Kochberg (Nachmitt. halb 5 zu Fus nach Kochberg kam halb 10 an). What oh what was going on in Goethe's head during those hours? The next day, July 12, was spent drawing.
Goethe seems to have been something like a member of the Stein family, spending a lot of time with Stein children, as on the visit he made on foot. He wrote to Charlotte concerning the July 12 visit (as always, go to Google Translate if necessary):
Mir ist's diese Woche in der Stadt wieder sehr wunderlich gegangen, ich habe mich gestern heraus geflüchtet, bin um half sechs zu Fuß von Weimar abmarschiert und war halbzehn hier, da alles schon verschlossen war und sich zum Bett gehn bereitete. Da ich rief, ward ich von der alten Dorothee zuerst erkannt und mit großem Geschrei von ihr und der Köchin bewillkommt. Kästner kam auch mit seinem Pfeifgen herab, und Karl, der den ganzen Tag behauptet hatte, ich würde kommen; Ernst, der schon im Hemde stand, zog sich wieder an, Fritz lag schon im Schlafe. Ich trank noch viel Selzerwasser, wir erzählten einander unsre Wochenfata, die Zeichnungen wurden produziert ...
The rest of his diary for July 1777 records frequent excursions to Kochberg, Tiefurt, and Ettersburg.
Boyle writes interestingly about the “ineluctable social facts” of Weimar at this time: “not much happened there, apart from the administration of the duchy.” The theater was one escape, a “transient” one into “aesthetic illusion, ... but Goethe was realist enough to know that inches behind the backcloth stood a blank wall.”
The lovely illustration at the top of this post is among a number of drawings of Kochberg by Editha Drawert (1887-1947) that can be found on the Goethezeitportal. According to the caption there, at the left is Charlotte's "old desk," which Goethe used when in Kochberg; the one of the right is the "new" one, a present to him from Charlotte.
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