Consider this a footnote to the previous post on "plagiarism."
I discovered when I was writing my dissertation that, however much I thought I had copied a source perfectly, with quotation marks, generally something had been omitted or changed in the copying. It was a moment of horror to go back and verify the date of publication or pagination, only to discover that a mistake had been added to the precious words of the cited authority. A reader of this blog will perhaps have noticed that I often put quotation marks around certain phrases, which means that they come directly from the source I am talking about. In a blog like this I resist quoting very long passages with quotation marks; that's another reason why I also cite the publication details. To some extent I suppose I am like Fritz Strich, seamlessly (I hope) blending my thoughts with those of my interlocutor. (By the way, I also give attribution to illustrations I have taken from other sources, unless they are from Wikipedia or from a self-evident commercial advertising source.)
Strich of course was writing in the tradition of that referred to by Joseph Texte (see previous post). I, on the other hand, am writing in the age of the footnote. It is interesting that a modern trope is "originality." No one wants to be thought to be like anyone else. Yet the demand for footnotes exposes a lack of originality, while also indicating that we write in an age when our connection to the literary inheritance and to tradition has been fractured.
Picture sources: Beauty Best Friend; Ethnography Matters; Lapsura
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