As I wrote in the previous post, Goethe was instrumental in sending Preller to study painting in Italy, but some of the images Wikipedia links to definitely place Preller in the tradition of German Romantic artists, toward whose work Goethe was decidedly unfavorable. For instance, the very moody work below, entitled Storm on the Coast, from 1856. Thus, he headed in the Romantic direction after Goethe's death. Goethe would have turned over in his grave had he known of that.
Saturday, December 18, 2010
Goethe's Deathbed Portrait
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