Sunday, July 30, 2023

Goethe and Time, updated

François Boucher, Pastor tocant per a una pastora

There is at least one important exception to what I wrote in the previous post, namely, the absence of Goethe's references to times of day in his early letters. In several letters to his Leipzig literary mentor, Ernst Wolfgang Behrisch, Goethe poured out his jealousy concerning Katherine Schönkopf. The letter dated  November 10–14, 1767, is composed of six installments, each headed with a specific time and/or a time of the day or night: Abends um 7 Uhr; um 8 Uhr; Mitwochs früh; Abends um 8; Freytags um 11. Nachts; Sonnabends.

I have recently finished an article that discusses this letter, but it is also the subject of excellent essays by Stuart Atkins and Albrecht Schöne. The letter is something like a first-person novelette detailing the depths of jealousy with its attendant sicknesses and fevers at the outset, to be followed at the end by the sweet pleasures of consolation and healing. As Schöne pointed out, in the next-to-final installment (Friday around 11 at night) Goethe remarks that he has reread what he has written and is astonished to discover its literary potential. It was in this same period that Goethe wrote the play Die Laune des Verliebten, in which the excessive jealousy of the shepherd Eridon threatens the harmony of the pastoral order. As with the play, both Atkins and Schöne discern in this and other letters of this period the development of Goethe’s apprenticeship in narrative prose, which will find its great expression in Die Leiden des jungen Werthers.


That novel includes specific dates on each letters written to Werther's friend Wilhelm, beginning with May 4, 1771, but there is only one letter — Werther’s final letter to Lotte — that details the time of day. It is headed “nach eilfe,” after which he records his last thoughts before putting the pistol to his head. And then: “es schlägt zwölfe! So sey’s denn — Lotte! leb wohl! Leb wohl!

Any thoughts of this specificity?

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